Courses and supervision

Teaching

More than a decade of teaching across electroacoustic composition and production, popular and electronic music, computer-assisted analysis, digital humanities, and AI at HMT Leipzig (2013–2025) and HfM Weimar (since 2025), combining artistic practice with research-led technical instruction.

Courses and seminars

  1. WS 2026/27

    Von der digitalen Edition zur computergestützten Musikanalyse: Einführung in Musik-Encoding und Tools für die Notentextanalyse

    Introductory seminar on music encoding and digital tools for computational score analysis at HfM Weimar.

  2. SS 2025

    Hearing (and analyzing) in time

    Groove and metric analysis in electronic music.

  3. WS 2024/25

    Algorithmic music models: from analysis to style transfer with Python/AI

    Probabilistic and machine-learning techniques.

  4. WS 2023/24

    AI and statistical analysis in musicological research

    Score and audio pipelines with machine learning.

  5. SS 2023

    From track to DJ set, from sample to live performance

    Macroform concepts in popular electronic music.

  6. 2013–2025

    Electroacoustic Music I and II

    Annual foundational seminar covering acoustics, digital production, and live-electronics practice.

Supervision and studio work

My appointment at HfM Weimar is a full research position. There I supervise students working within the project, and the seminars I teach serve as a practical setting in which to test the methods and concepts the project develops. Earlier, at HMT Leipzig, I supervised electroacoustic composition projects and coordinated the electroacoustic studio, including student productions and live-electronics infrastructure.

Full curriculum vitae