Courses and supervision
Teaching
More than twelve years of teaching across electroacoustic composition and production, popular and electronic music, computer-assisted analysis, digital humanities, and AI at HMT Leipzig (2013–2025) and HfM Weimar (since 2025), combining artistic practice with research-led technical instruction.
Courses and seminars
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WS 2026/27
Von der digitalen Edition zur computergestützten Musikanalyse: Einführung in Musik-Encoding und Tools für die Notentextanalyse
Introductory seminar on music encoding and digital tools for computational score analysis.
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SS 2025
Hearing (and analyzing) in time
Groove and metric analysis in electronic music.
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WS 2024/25
Algorithmic music models: from analysis to style imitation with Python/AI
Probabilistic and machine-learning techniques.
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WS 2023/24
AI and statistical analysis in musicological research
Score and audio pipelines with machine learning.
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SS 2023
From track to DJ set, from sample to live performance
Macroform concepts in popular electronic music.
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2013–2025
Fundamentals of Electroacoustic Music I and II
Annual foundational seminar covering acoustics, digital production, and live-electronics practice.
Supervision and studio work
My appointment at HfM Weimar is a full research position. There I supervise students working within the project, and the seminars I teach serve as a practical setting in which to test the methods and concepts the project develops. Earlier, at HMT Leipzig, I supervised electroacoustic composition projects and coordinated the electroacoustic studio, including student productions and live-electronics infrastructure.